“There is this idea that sculpture is static, or maybe even dead, but I feel absolutely contrary to that. I’m not a religious person – I’m an absolute materialist – and for me material is exciting and ultimately sublime. When I’m involved in making sculpture, I’m looking for a system of belief or ethics in the material. I want that material to have a dynamic, to push and move and grow.”
Tony Cragg is a British visual artist specialized in sculpture. He is currently the director of the Kunstakademie Düsseldorf. Wikipedia
Period: Contemporary art
Awards: Turner Prize
Nominations: Turner Prize
English sculptor. His work is notable for its exploration of different materials, including found objects and raw matter of various kinds. Cragg’s method of dispassionate ordering and composing seeks to make evident the vast array of objects and images that surround us, but with which he feels modern man has only a superficial relationship, based on function alone. In order to enhance our imaginative and emotional relationship with the world at large, Cragg proposed beginning with physical matter as the fundamental basis of experience. To this end, in the early 1980s, he began to work with objects arranged on the floor or wall in simple configurations, such as Postcard Union Jack (1981; Leeds, C.A.G.), made from sherds of plastic, or an axehead composed of various real and fake wooden elements. By 1985 he had extended his range to include carved and machine-cut stone and cast bronze and iron to make sculpture of simple, generic images or standardized prototypes, such as a house or a test-tube.
Amazing dice sculptures.